Organisers:
Dept. for the History of Croatian Music, Croatian Academy of Sciences and Arts, Zagreb
Croatian Institute for History, Zagreb
Croatian Musicological Society, Zagreb
Committee:
Ivana Horbec, Croatian Institute for History
Vjera Katalinić, Croatian Academy of Sciences and Arts
Katja Radoš-Perković, University of Zagreb
Sara Ries, Croatian Academy of Sciences and Arts, secretary
Stanislav Tuksar, Croatian Academy of Sciences and Arts
MUSICAL NETWORKING IN THE ‘LONG 19TH CENTURY’
International Interdisciplinary Online Conference
Programme
WEDNESDAY, 2 June 2021
9:00 Welcome Speeches
KEYNOTE LECTURE
9:30 Philipp Ther
University of Vienna, Institute for East European History
Haydn, Mozart, and Competing Musical Networks in the Late 18th Century
NETWORKING
10:00 Katja Radoš-Perković
University of Zagreb, Faculty of Humanities and Social Sciences, Dept. of Italian Studies
Sorgo’s Italian Network. The Ramifications Based on His Viennese Journal
10:20 Ivana Horbec – Branko Ostajmer
Zagreb, Croatian Institute for History
The Challenges of Communication in Musical Networking of the Habsburg Monarchy: The Centres of Society and the (Semi)Periphery
10:40 Jana Laslavíková
Bratislava, Slovak Academy of Sciences, Institute of the History
From the Metropolis to the Province: Theatre Companies as a Medium of Musical Networks in the Habsburg Monarchy at the End of the 19th Century
11:00 Vjera Katalinić
Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music
Zagreb Theatre in the Network of German (Musical) Stages
11:20 Nuppu Koivisto – Saijaleena Rantanen
Helsinki, University of the Arts
Cosmopolitan Vyborg: A Lost Finnish Cultural City in the 1900s
11:40 – 12:00 Discussion
12:00 – 12:20 Refreshment
12:20 Stanislav Tuksar
Zagreb, Croatian Academy of Sciences and Arts
Franjo Ksaver Kuhač (1834-1911) and His Hungarian Musical Network
12:40 Viktor Velek
University of Ostrava, Faculty of Fine Arts and Music
Vienna: A Place for Musical Networking of Slavs in the “Long” 19th Century
13:00 Maruša Zupančič
Ljubljana, Research Centre of the Slovenian Academy of Sciences and Arts, Institute of Musicology
The Musical Network of the “Immigrant Musicians” of the Philharmonic Society in Ljubljana until 1919
13:20 Emese Sófalvi
Cluj-Napoca, Babeș-Bolyai University, Faculty of Reformed Theology and Music, Music Department
“Musicus ex Austria”: Georg Ruzitska’s Links to Viennese and Transylvanian Society
13:40 Tomáš Slavický
Prague, National Museum – Czech Museum of Music
The Network of Austrian Military Bands and Czech Musicians in the South of the Monarchy
14:00 – 14:15 Discussion
14:15 – 15:00 Lunch break
15:00 Walter Kurt Kreyszig
Saskatoon, University of Saskatchewan, Department of Music / Genoa, Conservatorio di musica Niccolò Paganini
Musical Networking in the Long 19th Century between Austria and Canada: Théodore Frédéric Molt’s Visit with Ludwig van Beethoven in Vienna in Mid-December 1825 as the Beginning of the Beethoven-Reception in Canada
PERFORMERS
15:20 Patrick Becker-Naydenov
Berlin University of the Arts
Devil or Priest? Virtuosi in the German Musicological Imagination
15:40 Clare Beesley
University of Utrecht, PhD student
The Art of Persuasion – an Entrepreneurial Glass Harmonica Player and Her Network of Eminent Influencers
16:00 Lana Šehović Paćuka
Sarajevo, Academy of Music
Promenade of Croatian Guest Female Musicians through Sarajevo Concert Life (1878 – 1918)
16:20 Christian Breternitz
Berlin, Staatliches Institut für Musikforschung Preußischer Kulturbesitz
Wagner Tuba & Co. – Richard Wagner and His Imagining of New Instruments. A Story of Musical Networking?
16:40 – 17:00 Discussion
THURSDAY, 3 June 2021
WORKSHOP
10:00 – 12:00
Maruša Zupančič presents a part of her project “Influx of musicians to the Slovene Lands during the long 19th century – their impact and integration”
Pim van Bree – Geert Kessels
Den Haag, LAB1100
nodegoat Workshop
10:00 Welcome by Maruša Zupančič
10:10 General introduction to nodegoat
10:30 Presentation by Maruša Zupančič on her nodegoat project
10:45 Learn how to enter data into nodegoat
11:00 Break
11:10 Learn how to conceptualise a data model
11:20 Learn how to implement your data model in nodegoat
11:35 Import & Export
11:50 Q&A
FRIDAY, 4 June 2021
9:00 KEYNOTE LECTURE
Harry White
University College Dublin
Lessons of the Masters: Networking the Authority of Genre in Nineteenth-Century Music
COMPOSERS, TEACHERS, STYLES
9:30 Petra Babić
Zagreb, Independent researcher, PhD student
Croatian and Hungarian National-Historical Operas as Mediums of Political Representation in Different Political Periods
9:50 Yasushi Ueda
Tokyo University of the Arts
Constructions of the Image of the “jeu perlé” for Piano through the Nineteenth Century
10:10 Tatjana Čunko
Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music
The Paths of the Moderne or how did the Moderne Come to Croatia?
10:30 John Chun-fai Lam
The Chinese University of Hong Kong
Strings of Sensibility: Shamisen and Franco-Japanese Musical Dynamics in Maurice Ravel’s Milieu
10:50 Ivan Moody
NOVA University of Lisbon, Centre for Sociology and Musical Aesthetics
From Liszt to Lusitania: Networks of Influence in the Life of José Vianna da Motta
11:10 Ivana Tomić Ferić – Maja Milošević Carić
University of Split, The Arts Academy
The Activity of Ambro Novak (1899–1947) in the Field of Music Criticism: Contemporary Readings and Reflections
11:30 – 11:40 Discussion
11:40 – 12:00 Refreshment
12:00 Jana Lengová
Bratislava, Slovak Academy of Sciences, Institute of Musicology
The Slovak Composer Ján Levoslav Bella and His Study Trip of the Autumn of 1873
12:20 Anna Belinszky
Budapest, Liszt Ferenc Academy of Music, PhD student
The Meanings of Change – Brahms’s Musical Friendships and the Rewriting of His Piano Trio in B major
12:40 Andrej Čepec
Bratislava, Slovak Academy of Sciences, Institute of Musicology
Johann Nepomuk Batka as Music Teacher and Concert Performer
13:00 Lis Lewis
Winchester University, Centre for the History of Women’s Education
Charles Nicholson’s Nineteenth-Century London Flute Networks
13:20 Ákos Windhager
Budapest, Hungarian Academy of Arts, Research Institute of Art Theory and Methodology
The Institutionalization of Hungarian Music by ‘Charismatic Managers’: Franz Liszt, Ferenc Erkel, Ödön Mihalovich
13:40 – 14:00 Discussion
14:00 – 15:00 Lunch break
15:00 Kateřina Nová
Prague, National Museum, Charles University
Antonín Dvořák in the Mirror of Politics
15:20 Tihana Luetić
Zagreb, Croatian Academy of Sciences and Arts, Dept. for the Croatian History
Music as Part of Croatian Students’ Leisure at the End of the Nineteenth and the Beginning of the Twentieth Centuries
15:40 William A. Everett
Kansas City, University of Missouri
George Edwardes and the Networking of Musical Comedy at the Twilight of the Nineteenth Century
16:00 Clemens Gubsch
Vienna, Austrian Academy of Sciences – Austrian Centre for Digital Humanities and Cultural Heritage, Department of Musicology, PhD student
Anton Bruckner as Teacher
16:20 – 16:40 Discussion
SATURDAY, 5 June 2021
PUBLISHERS, INSTITUTIONS AND CITIES
9:00 Péter Bozó
Budapest, Research Centre for the Humanities, Institute for Musicology
Operetta in the Budapest Folk Theater: Jenő Rákosi and his Network for Vernacularizing an International Musico-Theatrical Genre
9:20 Peter Ruščin
Bratislava, Slovak Academy of Sciences, Institute of Musicology
The Role of “Matica slovenská” and St. Adalberts Association in the Collection of Slovak Catholic Hymns in the Second Half of the 19th Century
9:40 Marija Benić Zovko
Zagreb, Vatroslav Lisinski Music School, PhD student
Annual Reports of the Croatian National Institute: Tracing the Music-Pedagogical Practice of the Second Half of the 19th Century
10:00 Andrea Daru
Budapest, Eötvös Lóránd University, PhD student
Social and Institutional Backgrounds to the Establishment of the Liszt Ferenc Academy of Music in Budapest
10:20 Lucija Konfic
Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music
Franjo Ks. Kuhač and Križevci
10:40 Domagoj Marić
Zagreb, Ministry of Foreign and European Affairs of the Republic of Croatia, PhD student
Zagreb “Historic Concerts” from 1916 through the Prism of the Networking of Young Musicians
11:00 Inja Stanović
University of Huddersfield
Julius Block’s Cylinder Collection: Masterpieces of Music Networking
11:20 – 11:35 Discussion
11:35 – 12:00 Refreshment
12:00 Nicolae Gheorghiță
Bucharest, National University of Music
Byzantine Chant Printings and Their Musical Network in the Romanian Principalities, the Balkans and Constantinople during the First Half of the 19th Century
12:20 Sara Ries
Zagreb, Croatian Academy of Sciences and Arts, Dept. for the History of Croatian Music, PhD student
Franjo Ks. Kuhač in the Network of His Publishers
12:40 Haiganuş Preda-Schimek
Vienna, Independent researcher
Regional-related Music in H.F. Müller’s Publishing House
13: 00 Stefanie Liang
Graz, University of Music and Performing Arts, student
A Case Study – Leoncavallo’s Opera I Pagliacci: The Correspondence between the Composer Ruggero Leoncavallo and the Music Publisher Edoardo Sonzogno
13:20 Lili Veronika Békéssy
Budapest, Research Centre for the Humanities, Institute for Musicology, PhD student
The Erzsébet-emlény Piano Album and the Network behind It
13:40 Clemens Kreutzfeld
Vienna, University of Music and Performing Arts, Dept. for Musicology and Performance Studies, PhD student
Music Stores in Antebellum Boston as Spaces of Transatlantic Networking
14:00 – 14:30 General discussion